Era una fría noche de Octubre del 2005, cuando a 2 jóvenes se les pasa por la cabeza montar un grupo de HEAVY METAL. Acto seguido se hacen las respectivas llamadas telefónicas en busca de más componentes, siendo; a la batería Rodrigo Miñón, Álvaro Mingo al bajo, José Luis Gómez a la voz y Luis Ángel García a la guitarra.

Con esta formación empiezan a ensayar en un local de Pentasa 3, y al cabo de un breve periodo de tiempo Álvaro abandona el grupo por diferencias musicales; los tres miembros deciden buscar otro bajista (Ziru) el cual no estuvo mucho tiempo en la banda, ya que al poco tiempo esta decide disolverse.

Más tarde y tras la noticia de poder tocar en directo se vuelven a unir a modo de despedida, aunque esta vez sin bajista.De esta manera el grupo se consolida como trío y preparan temario para el esperado concierto. Pero otra sorpresa trastoca los planes del grupo, debido a la oportunidad que se les ofrece de estar al completo con la colaboración primeramente de Simón, el cual por falta de tiempo se decidió cambiar (vaya chapa que te dimos) y finalmente Gonzalo a la batería. Pero a tan solo cinco días del concierto nuevamente el grupo recibe un duro revés tras la decisión de este último de abandonar el barco (motivos que omitiremos por la verguenza ajena que nos produce).Con la moral destrozada y carencia de horas de ensayo el trío afronta el concierto recibiendo por parte del público, amigos y familiares una inesperada y calurosa acogida(gracias a todos los que nos apoyasteis dentro y fuera del escenario) con lo que provocó que aunque el espectáculo empezase con malas expectativa acabara con satisfacción de interesados y con la obtención de una fuerza, seguridad y ganas de seguir inexplicables .

El grupo renueva las ideas y digiere lo sucedido llegando a la conclusión de continuar la andanza con nuevo nombre y formación con la incorporación de GUTI y la que parece una formación sólida; practicando un estilo muy particular de THRASH METAL rozando en ocasiones el SPEED METAL. Si una vez se unieron por un motivo, por que no una segunda por un sueño...RESURRECCIÓN.

Pero la cosa no queda hay,tres semanas antes de su primera actuación hay un cambio en la formación siendo Dany quien ocupara el puesto de vocalista.

Eduardo Fernández is recognized as one of today's leading guitarists. Born in 1952 in Uruguay, he began his studies of guitar at age 7. His principal teachers were Abel Carlevaro, Guido Santórsola and Héctor Tosar. After being prized in several international competitions, the most notable being the 1972 Porto Alegre (Brazil) and 1975 Radio France (Paris) competitions, he won the first prize of the 1975 Andrés Segovia Competition in Mallorca (Spain). His New York debut in 1977 won critical accolades, being described as "A top guitarist...Rarely has this reviewer heard a more impressive debut recital on any instrument" (Donal Henahan, The New York Times). Fernández has returned to the U.S.A. every season since then, playing with prestigious orchestras as well as giving recitals, always to great acclaim from critics and audiences. His London debut, in Wigmore Hall (1983), had also a great impact, and resulted in his signing an exclusive recording contract with Decca, a label for which he made 18 recordings (solos, and with the English Chamber Orchestra and the London Philharmonic), that cover a wide section of the repertoire, from Bach to the contemporary.

They include many first recordings (for instance, Berio's "Sequenza XI"), and several of them have been selected as "best of the month" and "best of the year" by publications such as Stereo Review and The New York Times, as well as Asahi Shinbun from Japan. He has also made a recording for Erato with violinist Alexander Markow, covering most of Paganini's work for violin and guitar, and two duo CDs with Japanese guitarist Shin-Ichi Fukuda (with whom he has also performed in the Far East and in Germany) for DENON, in Japan. Currently he is exclusive recording artist of the Oehms Classics label, for which he has recorded the complete lute suites by Bach and "Romantic Guitar" a 19th-century guitar recording on a period instrument. In 2005, Labor Records from USA, has released the CD "Between two worlds".

Fernández has also played, with the same success, in most European countries, and in the Far East (Japan, Taiwan, Korea, Hong Kong and China, Thailand and Singapore), as well as in South America and Mexico.

He has a vivid interest in historical instruments, and he plays often the repertoire of the XIXth century on a period guitar.

Eduardo Fernández is also active as a teacher, having taught several years at the University's School of Music in Montevideo, where he is now a fellow researcher, as well as being very much in demand for masterclasses and lectures all around the world. Since 2002 he has been conducting every year masterclasses in Germany ("Gitarre und Natur", Erlbach). He has written a major book on guitar technique (Technique, Mechanism, Learning, published by Chanterelle Verlag, Heidelberg and in Spanish edition by ART Ediciones, Montevideo), a book of essays on Bach's lute music, published in 2003 by ART Ediciones, and several articles in leading guitar publications.

An active composer, he was the secretary of the Uruguayan branch of ISCM for two years. He is also a founder of Uruguay's CIM/UNESCO section, and Artistic Director of Montevideo's biannual International Guitar Festivals since 1996, and of Colombia's Encuentros Nacionales de la Guitarra since 2000.